Theater
Stand-Up London 1999 Debbie
Stepping Out Haranov Theater 1993 Andy
The Threepenny Opera Birmingham 1993 Vixen and other roles
 
Television
Ugly Betty, ep. "The Box and the Bunny" 2006 TV reporter
Studio 60 on the Sunset Strip 2006, eps. "Nevada Day Pts. 1 & 2, "The Option Period," "B-12," The Christmas Show" Lucy Kenworthy
Untitled Aisha Tyler project 2004 Jane
La Triviata (pilot) 2004
Black Books, ep. “Elephants and Hens” 2004 Becky
The Afternoon Play: The Real Arnie Griffin 2004 Laura
The Afternoon Play: Girls’ Weekend 2003 Laura
Dalziel and Pasco, ep. “Dialogues of the Dead” 2002 Jax
Come Together 2002
Holby City, ep. “Sweet Love Remembered” 2002 Kelly Bridges
The Ralf Little Show 2002 herself
Murder in Mind, ep. "Passion" 2002 Kerry Smith
The Office 2000–2003 Dawn Tinsley
Doctors, ep. “False Alarm” 2000 Nicky Andrews
The Belfry Witches 2000 Old Noshie
Big Bad World, ep. "Tory Girl" Harry
Alison 1996 Julie
One Foot in the Grave—Christmas Special “Starbound” 1996 Mrs. Blanchard
The Grand 1996 Maggie Rigby
The Bill
Casualty 1995 Sarah Jackson
Blue Heaven, ep. 3 1994 secretary
The Detectives
Woof! 1994
 
Film
Shades of Ray 2006 Director #2
Funny Farm 2005
Garfield 2: A Tale of Two Kitties 2005 Abby Westminster
The TV Set 2005 Chloe McAllister
Rag Tale 2005 Debbs
Plot Holes: What Happened to Dianne When She Left Winchester? 2004 voice of Dianne
The Legend of the Tamworth Two 2004 voice of Sundance
Shaun of the Dead 2004 Dianne
Sex Lives of the Potato Men 2004 Ruth
Nicholas Nickleby 2002 maid
The Gambler 1996 Dunya
 
Radio
The Archers 1995–2005 Hayley Jordan Tucker

 
Cast and crew of The Office display their Golden Globes, January 2004
 
Sex Lives of the Potatomen
 
Shaun of the Dead, with Dylan Moran, Kate Ashfield and Simon Pegg
 
 
Davis and Owen Yeoman leaving St. Paul's Cathedral after their wedding, Dec. 9, 2006.
 
 
Lucy Davis
Maria Lucas
 

With its many roles for young people, Pride and Prejudice gave opportunities to a host of actors just starting out in the business. Most of them were unknowns at the time of production, but in the decade that has passed several have gone on to great success. One of these is Lucy Davis.

Nowadays, Davis is best known as Dawn Tinsley, the receptionist in the hugely successful BBC sitcom The Office. But British radio listeners also know her as Hayley, the saintly caregiver in the long-running soap opera The Archers. And tabloid readers all over the country have followed the real-life drama involved in her 1997 kidney transplant.

 
 
On the BBC's Big Breakfast show

What many who have watched or worked with her don’t even realize, however, is that Lucy Davis is the daughter of one of Britain’s best-known comics, Jasper Carrott. Since she is determined to succeed on her own, she has worked hard to hide the fact. When she was born, in 1973, her father was unknown and barely able to support the family, but a hit comedy record in 1975 paved the way for future success. Four years later he was named ITV Personality of the Year, a title later bestowed on him by the BBC. His decision in the 1980s to buy a stake in the TV production company Celador (which produces, among other shows, Who Wants to be a Millionaire) has made him a multimillionaire.

 

Despite the family’s wealth, Davis and her three younger siblings grew up, in the Birmingham suburb of Knowle, in a very ordinary way. “Our parents never spoilt us,” she has said. “Neither of them were well off when they were young, so they didn't want any of us to take money and possessions for granted. We had friends who had every state-of-the-art convenience—TVs, hi-fis, everything—but we only started getting them gradually. My parents wanted us to know the value of money and to realize that you had to work hard to get what you wanted in life.”

 
 
Publicity photo for The Archers (with Ian Pepperell)

Lucy’s passion, from an early age, was acting. At school she organized Christmas plays, at home she bullied her two sisters into dressing up and putting on skits, and when other kids spent Friday nights sneaking into pubs, she was at the Birmingham Youth Repertory Theatre. At eighteen she entered the Italia Conti drama school in London, but wasn’t happy there (“Unless you were in a glittery hat and a pair of tap shoes, the owners of the college really didn't want to know”), so she left after two years and persuaded her parents to subsidize her for one year more while she looked for work. She enrolled in Birmingham’s Carlton TV Junior Workshop, a free drama training program that has a reputation among casting directors for producing ordinary, unspoilt kids complete with regional accent (Samantha Morton is another alumna). There she got the chance to audition for a part in Pride and Prejudice, one of her favorite novels, and almost won the role of Lydia.

“We were very impressed with her,” recalled casting director Janey Fothergill in The Making of Pride and Prejudice. “We seriously considered casting her, but she was too inexperienced. It’s an enormous part; Lydia has to be very witty, and naughty, attractive, feisty and with knock-down energy. We needed to feel confident that we had a Lydia who could deliver the goods, as she’s such a driving force in her scenes. But we were also very keen to have Lucy, so we offered her the part of Maria Lucas.”

Davis was disappointed but took it well. “I mean, if I’d auditioned for Maria in the first place and been given it, I’d have been thrilled. I realize [playing Lydia] would have been a huge responsibility and I could have made a mess of it. And the brilliant thing about playing Maria Lucas is that not many people know who she is, as she’s usually cut out of other versions, so I didn’t have anyone else’s performance to follow. It was all new territory and I thought, ‘I can have fun with this!’”

 
  Dawn at her desk  
The Office

Pride and Prejudice enabled her to get an agent, and before the series aired she landed a one-time appearance on The Archers that developed into a permanent role. Guest spots on TV and commercial voiceovers followed for several years until, just before New Year’s 2000, she won the role of Dawn in The Office.

Davis’s naturalistic acting style fit in perfectly with the show’s “mockumentary” format. “From the moment Lucy walked into audition, she gave a performance based on her understanding of real people, real behaviour,” Stephen Merchant, The Office's co-writer and co-director, told the Express in 2004. “There's this universally accepted style of TV drama acting that is considered ‘realistic.’ But it’s only realistic compared with other TV dramas. We spent ages looking for people who didn’t rely on those normal drama school tricks. And you simply couldn’t see Lucy's acting.”

 

The Office was such a success in Britain that it was added to the BBC America lineup. Although the cable network reaches only a small minority of American homes, the show made enough of an impact to win the 2004 Golden Globe Award for Best Comedy—to the surprise of its young cast, which had flown to Los Angeles for the ceremony. (At the post-ceremony press conference, reporters asked Davis which designer she was wearing. She replied that she had bought her outfit off the rack for £47 at a shop called Pilot. “'The equivalent in America would be something like K-Mart.’ There were a few strange looks.”)

 

Davis’s success capped a comeback from a near-death experience. While undergoing a routine physical for Pride and Prejudice in 1994 she was diagnosed with reflux nephropathy—a kind of kidney failure—and a transplant was recommended. After several years of fruitless search for donors, doctors reluctantly agreed to let Davis’s mother, Hazel, give one of her own kidneys. The operations were conducted in December 1997 and recuperation was a slow, frustrating process. She developed diabetes, and the combination of steroids and a lack of exercise caused her weight to balloon from 112 lbs. to 168 (she is 5'3"). Even today she must swallow two dozen pills a day to keep her body from rejecting the transplanted kidney. But her attitude has remained upbeat. “My career was going well and I was really happy and so I was desperate to go on as though nothing was wrong,” she told an interviewer in 2002. “I hate being down and so when this happened, I never went through that phase of asking, ‘Why me?’ because I knew it wouldn’t get me anywhere.”

 

Early in 2005, Davis moved to Los Angeles. “I didn’t know a single soul when I came out, not one,” she said in a 2006 interview. “Nobody picked me up in a limo at the airport. I hired a car and got a dodgy room, and I woke up the first morning and thought, ‘This is the most stupid thing I’ve ever done. I need to go home. I need my local pub.’ I cried myself to sleep the first two weeks. But I didn’t want to wake up when I was 50 and think, ‘I wish I’d done that.’ In the end, you just have to embrace it.”

 

Hollywood seems to have embraced Davis, too. In two years she has appeared in films with Bill Murray and David Duchovny and in major TV series. Her success abroad brought down on her the wrath of the British tabloids, which printed venomous stories about her weight loss. Davis was so upset about the untruths she read that she consulted a lawyer to sue for libel, but in the end decided just to shrug it off.

 

Hollywood has been good to her in other ways. At Christmas 2005, she met a Welsh actor named Owen Yeoman who was also working in L.A. A year later they were married in London's St. Paul's Cathedral.

 
Photo credits: portrait—Justin Westover/Camera Press; The Archers—Ken Green for the Press Assoc./BBC; Shaun of the Dead—Rogue Pictures; wedding—David Mepham/WENN
 
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